The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander
Penguin Books, 2004, 229 pages
Decades after the murder of the Romanovs, an elderly man previously known as the Romanov’s kitchen boy tells the family’s story to his American granddaughter through recorded tapes and sends her on a journey. With his narrative taking the the bulk of the prose, the kitchen boy describes the final days of the Romanovs and his involvement. Rich with detail and research, The Kitchen Boy by Robert Alexander is a stunning look into a fictional take on the horror of the death of the Romanovs.
A brief disclaimer — anything I could say about this book won’t truly communicate what an incredible work it is. Just read it.
A framed story, most chapters describe Leonka’s experience with the Romanovs with brief passages visiting his granddaughter’s travel from America to Russia. Each moment with Leonka and his story is a gift made of a rich voice, totally formed and unique to any other narrator I’ve ever encountered. Alexander’s grasp of his character is extraordinary and is the foundation of this phenomenal book. Leonka tells his story with tension and, while the reader likely knows the fate of the Romanovs, the tension remains high throughout. Even as the reader knows death approaches, they hope for the release and survival of the Romanov family.
Alexander does take some liberties in the story — it is, at the end of the day, a fictional take on a real story. The twists that bring the story together are shocking. Alexander’s ability to mislead and redirect while maintaining a plausible narrative is another element that sets this novel apart from others. These twists are grounded in prose which is wholly immersive. Despite the very fine detail with which Alexander writes, there is never a sense of tedium or overwhelm. This style provides a story to savor and digest slowly and deliberately.
The prose also delivers wholly developed characters, from inconsequential guards to the Tsar himself. Leonka’s unique position as a family aid gives him particular insights into the family which others might be without. The culmination of these observations create a vivid look at the Romanovs as people, as captives, as royalty, as a family. Leonka himself makes for a fascinating character, particularly as the story builds and pieces of information are revealed.
The Kitchen Boy is a novel so far ahead of anything else I’ve read (at least to my memory) that I didn’t feel I deserved it. It was engaging, endlessly fascinating, fantastically clever, rich and detailed, breathtaking and more. It’s a book into which you put your time and energy, carefully chewing each sentence to get to a truly amazing center and a satisfying end that will shake and astound you. Fall into the Romanov’s story with this as a start and you’ll never want to leave that world.
❤❤❤❤❤ out of ❤❤❤❤❤